music playing ADAM KALKIN: At the end, I want to close this thing. So you guys can maybe I’ll trap some of you guys in it. Because it’s pretty cool This has room for people? ADAM KALKIN: Yeah, you can definitely get some people in.
It. Really? ADAM KALKIN: Yeah. The basic shell is like a container, like a recycled container. We were originally going to bring the first push button.
House into the building, but they were having a lot of trouble ANDREA ILLY: Because of the size. ADAM KALKIN: Because of the size. When did you debut the Push Button house for Illy? Is this the debut?.
Adam kalkin: i took the one from art basel, and redid it. And shipped it to the Venice Biennale. Then we were going to bring it back here and we realized that there’s a huge elevator, but the door coming out of the elevator is like So we couldn’t actually get it in the building.
Adam kalkin: we designed it specifically for this space. So it does open and close. I’m Adam. JAMES ROSENQUIST: Adam what? ADAM KALKIN: Kalkin. JAMES ROSENQUIST: Hi, Adam.
Adam kalkin: adam kalkin. Hi. FRANCIS FORD COPPOLA: I’ve been long interested in shipping containers as alternate dwellings. But this is amazing.
Adam kalkin: thank you. DREW NIEPORENT: So you actually press a button? ADAM KALKIN: You do press DREW NIEPORENT: And the whole thing opens? ADAM KALKIN: You do press a button. The button is well hidden due to the public nature of this.
And the potential people running around with a push button could be a little volatile. ADAM KALKIN: How high is that shit off the ground? 34?.